EMERICH MEERSON – Vision #4

Description

Emerich Meerson, a french designer and painter born in Germany, lives and works in Paris.
​It is hard to classify Emerich Meerson as a school – style or trend because of his abundant creativity and the constant pursuit of plastic expression. His Individuality is strong and recognizable in all his work, which is, first and always, full of emotion.
​To look at one of his drawings, one of his paintings, one of his sculptures always inspires questions, feelings, and reflection.
​Emerich Meerson’s work is never demonstrative; it is evocative.
That is because the artist always looks for the truth hidden behind the visible world.
​Sometimes profusely, sometimes sparsely, he transmutes the vibrations of the material, the coexistence of order and disorder, the movement toward becoming rather than an image stuck in the present.
His work is rich and enriching.

“The result today is an extraordinary body of work. He has been exhibiting since 1998, first in private surroundings, then in individual or group shows. It’s hard to classify Emerich Meerson in a school or trend, because of his abundant creativity and his constant pursuit of plastic expression. His Individuality is strong and recognizable in all his work, which is, first and always, full of emotion. To look at one of his drawings, one of his paintings, one of his sculptures, always inspires questions, feelings, and reflection. His Individuality is strong and recognizable in all his work, which is, first and always, full of emotion. To look at one of his drawings, one of his paintings, one of his sculptures, always inspires questions, feelings, and reflection. Emerich Meerson’s work is never demonstrative; it’s evocative. That’s because the artist always looks for the truth hidden behind the visible world. Sometimes profusely, sometimes sparsely, he transmutes the vibrations of the material, the coexistence of order and disorder, the movement toward becoming rather than an image stuck in the present. His work is rich and enriching. The rhythms breathe, imitating a version of nature that has been reorganized by Emerich Meerson. This is real concrete “abstraction.”